Collaborations are rare. That is not an accident.
This practice is built around personal projects, long-term series, and work made without compromise. When I collaborate, it is because something in the proposal is genuinely inseparable from where the work is already going — not adjacent to it, not inspired by it. Continuous with it.
If you believe that describes your project, I need to understand three things before any conversation begins: what the work is, what it feels like, and where it lives when it is finished — exhibition, publication, book, or something else entirely. A visual reference or moodboard helps. A clear sense of intention is essential.
My calendar is intentionally sparse. At most one collaboration per month, and some periods are closed entirely. Proposals are reviewed slowly and without urgency. If the vision aligns, I will reach out. If it doesn’t, I won’t — and that is not a reflection on the quality of what you’ve sent. It simply means this is not the right moment, or the right match.
If this is still the right place for your project, the inquiry is open.